10:30 a.m. — Atlanta
listening to Only the Young by Journey
Hello, everyone. How are you? I am back on Thursday watch early because I seem to have been blessed (?) with WordPress’ new posts’ new appearance. It’s a little unnerving, it’s so clean and tidy. I figured I’d better try it out before Tuesday. If this appears before I’m done, you’ll know I hit the wrong button. A lot of hunting for stuff is involved. Not everything is intuitive.
Now, what have I collected during the summer, for you?
1] Haiku lovers, [Well, hell, there appears to be no see-able cursor. I hope that's me and not them] there is The Haiku Foundation for all things English Language Haiku. Head over to look around and read their complete mission statement, part of which says: THF [instead] is a series of projects organized not for poets per se, but for haiku itself. The realization of these projects will in due course help all haiku poets. Haiku has been very good to all the poets who have been fortunate to have found it. The Haiku Foundation is where poets go when they want to give back.
They have an incredible setup. [cursor back -- must be me -- not liking the new WordPress, at all]
2] The second link is to a thoughtful, fascinating even, essay by Jeffrey Levine, on reading submissions and reading fees. Ignore the dates, but read what he has to say. Here’s an excerpt: So, I might better say, of course we charge a reading fee each time a manuscript is submitted to us for our consideration. Even apart from the question of anonymity, we read every manuscript for every submission period as if it’s the first time the manuscript has ever been sent. It gets a fresh reading every time. We might assume that poets work on their manuscripts: revising poems, substituting poems, revising the order of the poems, etc. So even the “same” manuscript can be new in important ways. But even if no new work has been done on the manuscript, no changes made, even if it were exactly the same, it’s the time and attention given over to reading manuscripts (that each submission deserves) that we charge for. And what we charge is the equivalent of half a tank of gas. He has a couple of links for us, too.
3] Wait until you have twenty minutes and listen to Professor Anne Curzan, a historian of the English language. She loves words and where they come from, how and when new words become real, and has an interesting perspective on language changing. Listen to What Makes a Word Real? I found it enlightening and highly amusing.
My thanks to Misky who told me to try saving a draft of this post, going away, coming back and re-opening… the old format is back. BUT, I have seen the other and I really did not like it. Ack.
See you Tuesday for the prompt on poems from comic strips.
Happy writing, everyone.