9:57 a.m. — Walnut Creek
Hello, gang. We have a reader suggestion today, from Viv: a discussion of freewriting, to which I added free verse, as there are people who confuse the two.
First, let’s deal with free verse. It’s not free. What the people who coined the term meant was free of metre and end rhyme. Everything else that goes into writing a strong poem still comes into play and, because we have taken metre and end rhymes out, we have to be more conscious of where we break the lines and of internal rhyme. And, the poem still needs a rhythm that works. Hmmm. I’m beginning to think we should rename it. If you missed the post on free verse over at One Stop Poetry it’s well-worth visiting and reading. An excellent essay on free verse.
Freewriting is free of all constraints. It is a strategy that works for many people [not me...sigh] either as a kickstart or a restart. When I began my blog last year, I wrote about it. Here, updated, is what I said:
Almost any writer on writing will tell you: write write write do not stop write do not edit write do not stop write write write. The problem most of us have is that we have a self-censor sitting on one of our shoulders. This censor says That sounds silly. That’s not grammatical. What kind of syntax is that? Did you put a comma in there? Did you spell that long word correctly? What kind of image is that? It doesn’t make sense. Enough of that and you will talk yourself into not writing.
If your mind goes blank because you are trying so hard not to self-censor, or your mind just goes blank, don’t stop. Keep writing the last word you wrote over and over again. Your brain won’t like that and will kick back in. The surrealist writers believed that they had to reach a state beyond reality in order to find and write that which is true. What we call freewriting developed from them.
Ideally you want to write several pages without stopping. If you can do that you will find when you go back through that your mind and hand have taken you down many paths. You can choose one of the paths to follow knowingly, or choose words and phrases that speak to you and pull them out as a seed to a possible poem.
Rather than setting a time, I have found it easier to set yourself a number of pages. If you have never done this before, start with two pages and write. If it will help, pick a topic, but then don’t worry or panic if you notice that instead of writing about whales, you are writing about hot air balloons. Your brain made some kind of connection. Go with it. It may take you wondrous places.
Things not to worry about: grammar, spelling, sense, punctuation. That can all come later. Use what you are most comfortable with: computer, pen, pencil. Above all: if handwriting, do not stop the movement of your hand. Studies have found a direct correlation with the movement of the hand and creativity. Computer people, don’t panic. While the creative process works differently, these studies do not mean you have to change your modus operandi. When freewriting if you hit a stop point hit any key and keep it up until your brain starts again.
The object of freewriting is not to come up with a poem but to loosen the creative juices; if you get a poem from the process = bonus.
Remember: You need to write before you can write well. You need to have written something before you can worry about revision. You have to write before you can craft.
Let’s start with that and if you want me to address a specific aspect, ask. I can already see a couple of areas we can delve into further, but this post is long enough.
I will see you tomorrow for the week’s roundup of prompts; Tuesday for the next form; and next Thursday is open so far. If anyone has a suggestion, an idea they want me to discourse on, please let me know. Writing on reader generated topics has quickly become something I look forward to working on. Thank you, Viv, for this one.
Happy writing all.